Few countries ' film maker examine the terminal point of consultation imagination more thanJapanesedirectors , who are responsible for some of the most creative , inspired , and innovative flick of all time . Through aliveness and live - action mechanism freeing , cinephiles will be well aware of the astounding back catalogue of unique , interesting , and idiosyncratic Nipponese films just waitress to be hear . While most will be cognizant ofreleases from the likes of Studio Ghibli , this was just the tip of the iceberg when it came to films that push the boundaries of imagination into brave new territory .

Many of thebest Nipponese movies of all timewere categorise by astounding visuals , thematic deepness , and deeply thoughtful , introspective characters . With some releasesdating back almost 100 eld , Japanese cinema has systematically pave the way in full term of trailblazing filmmaking that has had a major influence on Hollywood productions . For film fans reckon to branch out their apparent horizon , these Japanese films will test the bound of your imaging .

10The Face Of Another (1966)

Directed by Hiroshi Teshigahara

Director Hiroshi Teshigahara and novelist - turned - screenwriter Kōbō Abe prove the perfect pair with the 1966 picture version of Abe ’s novelThe Face of Another . As an important release in the Japanese New Wave film motility , the story succeed an engineer named Okuyama who , after a series of work - relate burns , was yield a new face in the variant of a lifelike masque . With musical theme of personal identity , warfare , and the memory of World War II , The Face of Anotherwas a deeply cerebration - kindle expression at the masks we wear .

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By pull viewers to face up the way we construct our identities and how they are linked to our physical attributes , The Face of Anotherexamines who we are to society versus who we are to ourselves . With beautiful black - and - ashen cinematography and an piquant premise , the reputation ofThe Face of Anotherhas only grown over the years as the poignant beauty of its report has continued to resonate as subsequent generations become ever more concerned with identity operator and how they are being perceived .

9A Page Of Madness (1926)

Directed by Teinosuke Kinugasa

A Page of Madnesswas produced as part of the Shinkankakuha ( or School of New Perceptions ) movement , which assay to overcome realistic histrionics that explore what ’s buried within . With an eerie air and a hefty narrative exploring the very nature of madness , A Page of Madnessdelved into the subconscious , dreams , and nightmare in a beautiful and terrifying direction .

8Dead Or Alive (1999)

Directed by Takashi Miike

The stylish crime movies of Takashi Miike made this acclaimed movie maker almost like the Japanese equivalent of Guy Ritchie , as they both excel at delirious , high - energy activity movies with unique identities . One ofMiike ’s greatest achievements wasDead or Alive , the 1999 action movie about a yakuza member and Japanese pig waggle war against the mafia . Through head - bend action sequences and several bloody gunfight , the downright intensity level ofDead or Alivewas almost hallucinogenic at time .

Dead or Alive , directed by Takashi Miike , is a law-breaking thriller place in Shinjuku , Japan . The film follows Ryūichi and his Triad gang as they fight for control in the criminal Hell , while Detective Jojima resolves to disassemble their operation amidst the growing chaos .

As a bizarre , hypnotic , and madly violent movie , idle or Alivemay not have had the most to the full realized characters , yet the transparent over - the - top nature of its execution of instrument will test the boundaries of your imagination . Just the first in a loosely connect three - part series , Dead or Alivewas followed byDead or Alive 2 : Birdsin 2000 andDead or awake : Finalin 2002 .

Collage of Willow and Clash of the Titans

7The Man Who Stole The Sun (1979)

Directed by Kazuhiko Hasegawa

While the Nipponese thrillerThe Man Who Stole the Sunrarely gets recognise as the astounding imagination - testing victory that it is , those in the know recognize the appeal of this underappreciated 1970s release . Telling the story of a high schooltime teacher who build an nuclear dud to extort the land yet can not decide what he wants , this strange release would act as the unadulterated double bill with Christopher Nolan’sOppenheimer .

The Man Who slip the Sun is a 1979 Nipponese thriller about a in high spirits shoal scientific discipline instructor in secret build an atomic dud in his flat . ab initio bemock by his students , his plans take a coloured turn fall out a schooltime bus hijacking , as tension escalate in this nail-biting narrative .

As a genre - bend geographic expedition of nuclear threat and a deeply compelling caustic remark , The valet Who steal the Sunhighlighted Nipponese gild ’s on-going reckoning with the consequences of the nuclear end to World War II . American author and criticNick Newman placedThe Man Who Stole the Sunon hisSight and Soundlist of the greatest films ever made(viaBFI ) , saying , " In anything like a just world this is go steady coinciding with benchmarks of Nipponese movie theater .

Tom Hanks in Cast Away

6Your Name (2016)

Directed by Makoto Shinkai

As a complex look at the crossway between love and destiny , Your Namereceived universal acclaim as its beautiful animation , thrilling hand , and compelling word picture made it a modern classic . With a shocking twist that disclose the universe of two timelines , Your Namewas a profound aspect at how those we have left behind encroachment the current world we exist in . While the time - travel love story literary genre is a well - worn subject , Your Namemanaged to bring something young , exciting , and original to this issue .

5Funky Forest: The First Contact (2005)

Directed by Katsuhito Ishii, Hajime Ishimine, and Shunichirô Miki

Three Japanese filmmakers come together for the surrealistic anthology experience that wasFunky Forest : The First Contact . Featuring several storylines presented as an exorbitant collection of surreal , straightaway - fire non - sequiturs , these mostly comical sequences mostly rotate around the characters of Guitar Brother , his randy elderly sibling , and the pair ’s portly Caucasic crony . As a peculiar , wild , and stupefy viewing experience , Funky Foresthighlighted just how untamed cinema can be .

Funky Forest : The First Contact is a film featuring a serial of surreal and garbled vignette . The tale marrow on Guitar Brother , his amative sibling , and their rotund Caucasic comrade , mix bizarre humor with imaginative storytelling .

WhileFunky Forestcan , at times , feel a bit like watching a bunch of hastily thrown - together outtakes from several films , the recurring characters and mind that are repeated throughout give the film a illusion of structure . With a two - and - a - half - time of day runtime , Funky Forestmay test the forbearance of those unfamiliar with avant - garde filmmaking , although those who allow themselves to be won over by its idiosyncratic good luck charm will be in for a full time .

David Corenswet’s Superman getting up from a crater with a citizen’s help in the Superman movie trailer

4Hausu (1977)

Directed by Nobuhiko Obayashi

While Toho Studio is best known for kaiju classics likeGodzilla , they also were the studio behind the head - bending comedy horrorHausu , also recognize asHouse . This report about a schoolgirl attempting to locomote with her friends to her auntie ’s house soon grow sullen as they come font - to - face with supernatural forces and are devoured one by one by the home . Witha rock soundtrack by the banding Godiego , this badly reviewed film was a box office pip that has since become a cult classic .

Hausuwas a visually stunning and formidable pic filled with usurious sequences and a bizarre montage of way-out mental imagery . By accept the classic conception of a haunt house to its absolute extreme point , Hausuwas a psychedelic misstep like no other that would test the boundaries of any viewer ’s imagination . While its particular effects may not live up to today ’s standards , the dated artistic ofHausuwas also part of its charm .

3The Warped Forest (2011)

Directed by Shunichirô Miki

Filmmaker Shunichirô Miki followed up their surrealist oeuvre onThe Funky Forestfor the unearthly sequelThe Warped Forest . As a bizarre tale about a elephantine shopgirl who ca n’t gibe into her store , The Warped Forestwas far more coherent than the non - sequiturs of its predecessor , although it was no less imaginative . Set in a deeply unique alternating reality , there ’s something intriguing and striking claim topographic point in every unmarried build of this funny movie .

The Warped Forest , released on October 15 , 2011 , explore a surreal world where a jumbo shop class - girl , mysterious green pods , and enigmatic Mrs. Henry Wood houri weave into the lives of its dweller , prompting reflexion on dreams and reality .

The Warped Forestwas filled with way-out characters and contained plenty of sport visuals , although there were serious themes underpin its imaginative human race . To seek to explain this narration in a few unforesightful sentences would do the splendor of its viewing a ill turn , as this was a moving picture that truly just need to be see and experienced . The Warped Forestshowcased that cinema has the power to depict the untellable , and it was yet another fascinating addition of Miki ’s really unusual filmography .

10-Japanese-Movies-That-Test-The-Boundaries-Of-Your-Imagination

Custom image by Yeider Chacon.

2Tetsuo: The Iron Man (1989)

Directed by Shinya Tsukamoto

lover of the organic structure repulsion styling of David Cronenberg or the dreamlike nightmare world of David Lynch will for certain find a lot to know about Shinya Tsukamoto’sTetsuo : The Iron Man . With Tomorowo Taguchi as the Salaryman , a worker who arouse to line up metal bourgeon from his eubstance , matter take a dark round as he ’s haunted by metallic element - link up sexual fantasies . While this blamed military personnel turns into a machine loanblend , he incur a connection with a score - and - run dupe going through a similar ordeal .

Tetsuo : The Iron Manalready sound absolutely unhinged on paper , but the photographic film itself was one of the most boundary - crusade , imaginative sci - fi horrors ever . While many viewers may find its extreme nature off - putting , Tetsuo : The Iron Mandid not shy away from tough subjectsas it has been read as a metaphor for everything from AIDS to the treatment of the Nipponese workforce .

1Paprika (2006)

Directed by Satoshi Kon

The Japanese animated surrealist sci - fi fantasyPaprikafeatured so many striking similarities to Christopher Nolan’sInceptionthat many title he had to have been influenced by it . With beautiful invigoration and an vivid story follow a pipe dream terrorist have nightmares through a gadget that allows them to partake in dreaming with others , Paprikasaw the research psychologist Dr. Atsuko Chiba and the ambition tec Paprika embark on an epic journey to stop them . With an immensely imaginative premise and reverence - instigate visuals , Paprikawas a journey into the world of the subconscious .

Coming from theJapanesefilm director Satoshi Kon , Paprikawas a ambitious , eye - opening , and thought - provoke movie that you will never forget after seeing . As a unique achievement that capture the very nature of dreams , while this story was difficult to follow at times , like a dreaming itself , it was mean to be experienced rather than fully understood . Paprikahighlighted the intellect - bending power of search the subconscious through celluloid , a subject that ’s been rarely dealt with at this magnitude .

Sources : Midnight Eye , BFI

The Face of Another (1966) Directed by Hiroshi Teshigahara

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Cast Placeholder Image

A Page of Madness (1926) Directed by Teinosuke Kinugasa

A Page of Madness - Poster

Dead or Alive (1999) Directed by Takashi Miike

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Dead or Alive, directed by Takashi Miike, is a crime thriller set in Shinjuku, Japan. The film follows Ryūichi and his Triad gang as they fight for dominance in the criminal underworld, while Detective Jojima resolves to dismantle their operations amidst the growing chaos.

The Man Who Stole the Sun (1979) Directed by Kazuhiko Hasegawa

01405971_poster_w780.jpg

The Man Who Stole the Sun is a 1979 Japanese thriller about a high school science teacher secretly building an atomic bomb in his apartment. Initially mocked by his students, his plans take a darker turn following a school bus hijacking, as tensions escalate in this suspenseful narrative.

Mitsuha and Taki Finally Meeting Each Other for the First Time in Your Name

Your Name (2016)

Funky Forest: The First Contact (2005) Directed by Katsuhito Ishii, Hajime Ishimine, and Shunichirô Miki

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Funky Forest: The First Contact is a film featuring a series of surreal and disjointed vignettes. The narrative centers on Guitar Brother, his amorous sibling, and their rotund Caucasian brother, blending bizarre humor with imaginative storytelling.

Headshot of Tadanobu Asano

Headshot Of Ryo Kase

A girl’s disembodied headover a group of blue cartoon faces in House

House 1977 Movie Poster

The Warped Forest (2011) Directed by Shunichirô Miki

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The Warped Forest, released on October 15, 2011, explores a surreal world where a giant shop-girl, mysterious green pods, and enigmatic wood nymphs interweave into the lives of its inhabitants, prompting reflections on dreams and reality.

Tetsuo: The Iron Man

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Paprika - skin peeling off-2

Paprika Movie Poster

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