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One of the biggest appeals of theFantasygenre lies in the things that can be in these earth , from dragons to whirls of illusion to otherworldly preferences . Godhead are dedicate license to make costumes and set that blend modern preference with historic fashions with something whole fantastical . Creating a fantasy movie with a beautiful aesthetic is more than just constitute nerveless supernatural beings and world power ; it ’s balance that with the many artistic aspects of filmmaking .
Some of thebest animated fantasy moviesin late years achieve this through a different spiritualist , render the world from the primer coat up and not being too bond to creating something that look naturalistic , for something entirely magical to wait at . Filmmaking in the 2020s has often meant an overload on CGI , leaving the good new fantasy movies to demonstrate how to best utilise these technologies while still relying on pragmatic result and figure where they will look good .
10Dune: Part Two (2024)
Denis Villeneuve Again Captures The Sprawling World With Pointed Finer Details
The primary coil coiffe ofDuneis somewhat plain yet very daunting , as the desert major planet may look the same for miles around but is bushwhack with sandworms and rising leaders . The special effects inDune : Part Twofor the sandworms are certainly perfect , while much of the rest of the movie ’s aesthetic sweetheart comes from the costume innovation and well - execute shots . The Fremen ’s attire is a blend of well - worn fabrics and wet - saving technologies , matched with their glow blue eye , creating a rough and occult effect .
Yetthe environment we mostly see on Arrakis is counterbalanced with the nobility elsewhere in this creation , of fine armoured dresses and periodic succession in sinister and white . Director Denis Villeneuve captures larger-than-life shots of deceivingly simple fight while always remind us of the heroic landscape , alongside a blend of different styles that are all still very futuristic .
9Avatar: The Way Of Water (2022)
James Cameron Only Builds Upon The Intricate World Of Pandora
It goes without saying that James Cameron break ground back in 2009 with the introduction of the planet of Pandora inAvatar , the ( comparatively ) untouched woods satellite of unknown but gorgeous and often burn flora and creature . For picture that are almost entirely CGI , it ’s impressive that everything still looks awful . Every wight and flora is thought out and the overall Green and blue devil are deeply soothing while still brimming with power .
New footage has been released for Avatar : Fire and Ash , which bug what to gestate from the lucrative science - fable franchise ’s next subsequence .
Cameron , of course , pushed the design and particular effect teams further withAvatar : The Way of Water , a expectant amount of which takes space in the water . The scale of the Earth becomes even more breathless with the stunning underwater crack where the main characters form novel bonds with their planet and its animal inhabitants . However , we still see parts of the sure-enough hobo camp set within this movie ’s runtime , make for an even better ocular fiesta that starts to show the form of Pandorawhile still coming together as one aesthetic .
8Puss In Boots: The Last Wish (2022)
DreamWorks Embraces Stylized Animation With A New Take On The World Of Shrek
We are gratefully seeing morestylized animated moviesthese days , which are pushing the prevalent medium of 3D animation to incorporate more artistic variety . Puss in Boots : The Last Wishset newfangled standards for theShrekfranchise — which theweird liveliness ofShrek 5suggests it probably wo n’t subsist up to — with impulsive encounter strokes and vibrant pallets that take the world to a whole raw level .
The Last Wishmeshes some different tone and aestheticsas the fiber travel through an almost Candyland - corresponding setting , offset by the grungy rig of Goldilocks and the Three Bears and the Western anti - hero vibes of Puss . Then the Wolf cuts through the whole thing with his own wickedness and pierce aura , imbuing the story with a dissimilar sense of danger . The Last Wishhas some of the unapologetic fantasy ofShrek , but it dances on its own nonnatural carpenter’s plane .
7Mickey 17 (2025)
Cold & Mechanical Is Still Dystopian Beauty In Bong Joon-ho’s Latest Title
Mickey 17has a reasonably bleak look , but there still a beauty in it as a work of art , especially with the direction of Oscar - gain theatre director Bong Joon - ho resulting in some unflawed shots . Mickey and the other persona are stuck in a stale and metallic element bread and butter transcription , exploring the frozen tundra of a distant planet , broken up with threatening furnaces or aspects of sumptuousness that are kept from most of the cast .
Paddy 17also has some brazenly sci - fi imagery that complement the more technically realistic set design which is in service of the news report about development . It may not be the most obvious exercise when it is not the soft or most reposeful environment to love , but it is intriguing and sensational from a filmmaking position , and again capture the dystopian thriller aesthetic that Bong perfected long ago withSnowpiercer .
6Luca (2021)
Pixar Goes To The Italian Riviera & Brings To Life A Whole New Style
Lucahas some hard competition , which is credibly why it ’s one ofPixar ’s more underrated movies , but the mode it takes inspiration from the existent - life setting to create on - screen art is some of the studio ’s expert work . Drawing upon the bright colors of the Cinque Terre neighborhood , Lucadepicts a fictional coastal Italian town where everything is rosy and bright . The fictitious character are all a small more round - faced than common , make the whole thing even more pleasant .
Every color in this movie is deeply vibrant , from the immature grasses to the blue sea to all the décor and foods in the town . The fact that the main persona are sometimes brilliantly colour sea monsters mix into this for a fantastical vibration that still feels root in the scenic beauty of the real Italian Riviera . Luckily , it is supported by a fresh story with some surprises that settle into endearing milieu .
5The Green Knight (2021)
The Stunning Medieval Epic We’d All Been Waiting For
The Green Knightdoes the grimdark medieval coiffe considerably than almost any other property . When the verbal description of the Green Knight in the original text is fairly eccentric , the pic managed to make a imaginativeness of him that is faithful , foreboding , and fascinatingly supernatural . The architecture of the world is gloomy stone castles , with some more angular and simplistic costuming alternative than we might expect from this genre , for something more downplayed .
Once Gawain nonplus out into the magnanimous wide world , we get more of the scale of this aesthetical , which includes lumbering giant , Harlan Stone - laden plane , and misty woodland filled with strangeness that many good fantasy storey rely upon . Overall , The Green Knightcontrasts the wilderness of the title reference and his knowledge domain with the operose edge of Gawain ’s court , which is , of class , the whole point .
4Guillermo del Toro’s Pinocchio (2022)
The Oscar-Winning Director Transitions Into Animation With The Same Majestic Visuals
Guillermo del Toro is known for his beautiful monster movies , which have relied both on practical and special effects to bring to life his monsters , which are typically write to reflect the monstrosity in human race . Guillermo del Toro ’s Pinocchiowas a bit of a departure for the manager , but one that now seems to have always been destined to happenwhen animation would only allow more chance for his imaginative sight to flourish .
Pinocchiois textured , spooky , and stunning , leaning into some of the horror vibraphone of the account with a more bittersweet ending than Disney choose for . The warm pallets of Pinocchio and Geppetto ’s home demarcation perfectly with the glowing amobarbital sodium of the afterlife , with some fade whole tone in between as they look the danger of Mussolini - era Italy .
3Wicked (2024)
Pink Goes Well With Green
Pink really does go well with fleeceable when they make a strange but solid contrast , which at least by now invokes the iconic , life - changing friendship that has grain itself further into the cultural consciousness . Much ofWicked ’s aesthetic comes from the frilly , glittering pinkish closet of Glinda pose against the mysterious and tough blacks and special K of Elphaba , but the chirpy world surround these two with so much more .
There are several excellent movies that share similarities with Wicked , and they are available to catch on various cyclosis weapons platform .
Wicked ’s design draw upon the technicolor magic of 1939’sThe Wizard of Oz , with some silklike architectural choices added to refresh it for a advanced audience and an all - around whim . There are mess of burnished blue sky , greens , yellowness , and garden pink , but behind it all are the set pieces and the motifs that allude to the theme of a clock and time retick off , remind you of the mechanically skillful tension of the story .
2Come Away (2020)
A Below-The-Radar, Wonderful Mash-Up Of Fairy Tales & Aesthetics
Come Awayis a virtually unsung fantasy standalone star Angelina Jolie , about a work - class syndicate pass on in pieces after the death of their eldest son . Their remaining two children go off on their own escapade to assist them mend , one becoming Peter Pan and the other Alice in Wonderland . As for the aesthetic , a plaything store meets cottagecore meets steampunk meat queer tale take on the lost boys is where you findCome Away .
The movie will appeal to anyone who just want to sit in a good period piece of music and love the low - budget charm ofStardust ’s particular issue . The new takes on fibre such as the disturbed Hatter and Captain Hook are also refreshing , both more unpretentious but with the personal magnetism they both need in any iteration . Come Awayis challenging with the moderately jittery but profoundly heartwarming way it brings these tale to life once again .
1Wolfwalkers (2020)
The Irish-Folklore Animated Adventure Only Gives Us The Best
Cartoon Saloon can do backdrops like no other studio , first delivering their arresting watercolor forest worldly concern in 2009’sThe Secret of Kells . Wolfwalkersmore than lives up to the flagship installment of the Cartoon Saloon Irish folklore trilogy , highlighting fresh characters and their sweeping movements . especial quality designs are also highlighted by this style , from Robyn ’s lithe frame to Mebh ’s hazardous mane of hair .
The painted aspect of the surroundings combine with the detail penciled in make for a truly alone , niche aesthetic that no other movie I have come across has . Thepièce de résistanceof the entire project has to be the sequences of the wolves running through the woods under the moonlight , which showcases more of this animation with stellar cinematography . Suchfantasymovies be given on their mediums to create sheer prowess that will always be beloved .
Custom Image by Ana Nieves
