Nosferatu

The lamia Nosferatu is one of the most iconic figures in repulsion cinema , most latterly in Robert Eggers’Nosferatu . It is no wonder why , from his recognizable rat - like show , to his controversial similarities to Bram Stoker ’s Count Dracula . Over the decades , Nosferatu has appear in several version since his existence inNosferatu : A Symphony of Horror , the 1922 film directed by German film maker , F.W. Murnau .

Though many film director have chosen to adapt Murnau ’s film , few expand upon the story as deeply as Robert Eggers does in his new version . eggar ' hit picture detain true to Murnau ’s original story of Nosferatu , but famous detail and changes are added in to provide special grapheme development and immerse hearing in the haunting fib ofCount Orlok . It is unmortgaged that Eggers ' additional touches resonate with hearing , withNosferatubreaking 2024 box office staff recordsby already gross $ 40.3 million domestically . Still , it ’s playfulness to equate it to the 1922 original to see what ’s been changed .

10Nosferatu’s New Look

Nosferatu’s Corpse-Like Design

One of the gross changes that Robert Eggers made inNosferatu , is Count Orlok ’s fresh coming into court . Contrary to Murnau ’s vampire , this Count Orlok ( Bill Skarsgård ) does not have a rat - like , polished appearance . Instead , inNosferatu , Skarsgård appears more monstrous , resembling the rot corpse of a human .

Beyond his macabre newfangled design , viewers have noticed thatNosferatu sports a moustache , decrepit dress , and a bald head of pilus . This is potential another selection by egger to make Count Orlok appear more human - like . In an consultation withVanity Fair , Eggers explains he hoped to construct Orlok to resemble a real - lifetime corpse : " This guy looks like a dead Transylvanian noble . Every individual affair he ’s tire out , down to the heels on his shoes , is what he would ’ve worn . " Regardless of his intent , the new Nosferatu ’s outstanding appearing put a brisk spin on the role that is trusted to shock audience members who expect the original look of the German vampire .

9Creation Of Professor Albin Eberhart Von Franz

Willem Dafoe’s Zany Character Is A New Addition

Another obvious modification in Eggers’Nosferatu , is his creation of the new character , Professor Albin Eberhart Von Franz , portrayed expertly by Willem Dafoe . Dafoe ’s new character is a vampire hunter and scientific practitioner of the Earth of the occult , and who facilitate Ellen ( Lily - Rose Depp ) and Thomas ( Nicholas Hoult ) , to discover the mystery behind Nosferatu ’s bane .

Considering the crucial role Professor Albin Eberhart Von Franz plays inNosferatu , it is surprising that his character does not exist in the previous Nosferatu films . rather , the main characters are help solely by Professor Sievers , the professor of medicine who runs the Wisborg genial asylum . eggar decisiveness to make Dafoe ’s character allows audiences to take heed more about the paranormal factors at play in the celluloid , such as Ellen ’s abilities to connect with the emotional state world . Besides this , the Professor provides several comedic moments due to his freakish personality and ramblings .

8Ellen Summons Count Orlok

Ellen Initiates Her Relationship With Nosferatu

The nature of the relationship between Count Orlok and Ellen Hutter is changed altogether inNosferatu . In Eggers ' new adaption , Ellen is responsible for for come up Count Orlok to her when she was a younger girl , by using her connection to the supernatural . Because of this , their relationship is not only more internal , but occurs for a long period of time andEllen and Orlok meet a tragical terminate together inNosferatu .

This alteration is a clever twist on the original fib , because it explain the reason behind Orlok ’s obsession with Ellen , and raises the stakes for Lily - Rose Depp ’s , Ellen , who bid to escape her former assaulter . eggar ' change differs greatly from Ellen ’s connection to Nosferatu inNosferatu : A Symphony of Horror , where Count Orlok ’s involvement in Ellen begins because he sees a portrayal of her when Thomas come to visit his castle . Ellen ’s alternative to summon Count Orlok also deepens her fiber beyond the helpless dupe she appears as in Murnau ’s film .

7Nosferatu Attacks Victim’s Chests

The Way Count Orlok Drinks Blood Is More Grotesque

A little , yet noticeable , difference with egger ' Count Orlok is the way that he drinks his victims ' blood . Unlike the classic vampire who attack his dupe ' neck opening , this Count Orlok opt to take up them in the chest , in an in all much more ghastly style .

Choosing to haveOrlok attack his victims ' affectionateness , is just one of the many change Eggers made to emphasize Nosferatu ’s brutality . Eggers explains this variety was made to honor vampire kinfolk taradiddle of the past , which had vampires assail their dupe ' chests , alternatively of their necks . Though this detail may be little , it is one of the many path thatNosferatueffectively translate Count Orlok to be more dreaded and shocking to consultation members , who expect the traditional fanged beast . The deaths of several character are also made all the more horrific when Orlok drink their blood .

6Friedrich And Anna’s Screentime

The Two Supporting Characters Are Given A Spotlight

Several side characters are given a magnanimous role in the film , but perhaps none to the extent of Friedrich ( Aaron Taylor - Johnson ) and Anna Harding ( Emma Corrin ) , the couple that are friends to both Thomas and Ellen . equate to their abbreviated screen time in Nosferatu : A Symphony of Horror , Friedrich and Anna are given more profundity as characters , lay down their macabre deaths all the more tragical by the close of the motion picture .

Murnau ’s word-painting of the characters differs in several fashion , but most notably , Friedrich live with his sister , Anna is not his wife , and he does not have kid . While Ellen stays with the Harding ’s , she rarely interacts with them . In Eggers ' version , Anna and Ellen have a womb-to-tomb friendly relationship , and Friedrich and Thomas are equally closelipped . Friedrich ’s disbelief in the supernatural is also an summation by Eggers . By target more attention on Friedrich and Anna , the audience ’s relationships with the characters heighten as well . It is grueling not to sympathize with the loving family who are torn apart by the Hutter ’s connection to Nosferatu .

5Ellen’s Locket

Ellen’s Parting Gift To Thomas Is A New Touch

InNosferatu , no small detail is without purpose . One of these is Ellen ’s locket , contain a ringlet of her whisker , which she founder to Thomas before he departs . The locket goes on to wreak a significant office in the plot , deepening Count Orlok ’s connection to Ellen once more when he keep the item and revealing to Thomas that Orlok has fixated his attention on his new wife .

Nosferatu : A Symphony of Horror , does not feature the locket . or else , Thomas carries a photo he has of Ellen , which remind Count Orlok to become ghost with her . Though the locket is a small modification , it foster Ellen ’s role as an dynamic participant in the love Triangulum , since she gives it to her husband for his journey to the castle . The locket also adds a more personal tactual sensation to the clause that Orlok later becomes fixate on , intensify his connecter to Ellen .

4Thomas’s Failed Attempt To Kill Orlok

Thomas’s Act Of Bravery Is A New Addition

Another small but meaningful variety inNosferatuis Thomas ’s fundamental interaction with Count Orlok while in the castle . Though Thomas originally tries to flee when discovering the accuracy about Orlok ’s genuine nature , Nicholas Hoult ’s Thomas endeavor to kill Orlok by bet on him through the heart . Unfortunately , he is unsuccessful , as Orlok wake before Thomas can finish the task .

Eggers ' decision to have Thomas attack Orlok add together an extra level of courageousness and gritstone to his character , who had antecedently cowered in the comportment of Orlok . Not to refer , this choice establish Thomas ’s committal to protecting Ellen , who he knows is being targeted by Orlok by this point in the film . Ultimately , the result chase prospect is intensified by Thomas ’s failed attack , as he flees from Orlok . who is furious about the attempt made on his life .

3Thomas Is Transported Via Unmanned Carriage

Supernatural Elements Are Used To Portray Orlok’s Powers

Nosferatuskillfully uses minor details about Orlok ’s humans to shew his supernatural power , and immerses interview further in the horror of his castle . An instance of this is the unmanned baby buggy that transports Thomas to Nosferatu ’s castle , as opposed to Nosferatu train him in the baby carriage himself as he does in the original 1922 film .

It is hard not to be terrified by Thomas ’s journeying to the castle alone , which prepare audiences for the horrors that wait him when he arrive . Nosferatu’sinclusion of the unmanned carriage allows witness to see the state of panic that Thomas start out to find as he approaches his mystifying destination , encountering strange things that can not be excuse . Beyond this , it is another demonstration of the ability that Orlok wields as a vampire and ancient being , proving he will be a formidable foe .

2The Love Triangle

Nosferatu And Ellen Share A Romantic Connection As Well

While Orlok and Ellen are given a briefer friend in the originalNosferatu : A Symphony of Horror , Eggers’Nosferatugives the pair a complicated romantic and sexual chronicle . When Orlok reconnects with Ellen after her nuptials , the trio enters into atwisted erotic love trigon between Ellen , Thomas , and Count Orlokthat cause demolition to those around them .

This is one of the most obvious change to the original story , and explains more about Orlok ’s compulsion with Ellen , starting from when she first summoned him . For Ellen , her dark sexual history with Orlok both shames and excites her . by nature , Ellen ’s marriage to Thomas develops a pains , though the two persevere in the terminal . The tragical nature of this love trigon deepens the motivations behind each of the lead fictional character , makingNosferatumore than a vampire motion-picture show , but an examination of human nature and impulse .

1Knock Is Given A Backstory

Nosferatu’s Famous Henchman’s Origins Are Explained

Nosferaturevisits the character reference of Knock , Count Orlok ’s henchman who help him entrance and target victims . Though Knock ’s appearance in the original celluloid is abbreviated , Eggers chooses to expand upon his fictitious character by ease up him a compelling backstory and more screen clock time .

Similar toNosferatu : A Symphony of Horror , Knock is bring out to be the boss of Thomas , Herr Knock ( Simon McBurney ) . This Knock is revealed to exercise the occult willingly , engaging in dark practice session to make contact with Count Orlok himself . In this version , he is point throughout terrorizing townspeople , planning the entrapment of Thomas , and consulting with Orlok . These mo leave further context for Knock ’s stock into madness and connecter to Orlok , making him an altogether more terrifying and tragical character .

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Cast

Nosferatu is a remaking of the 1922 silent picture show of the same name from director   F. W. Murnau . Robert Eggers is crafting his own version of the news report for the reboot as author and film director , with Bill Skarsgård step into the shoes of Count Orlok .   Nosferatu tells the tale of a young woman who fall victim to a vampire dead infatuate with her .

Nosferatu is a 1922 German silent horror film organise by F.W. Murnau , loosely based on Bram Stoker ’s Dracula . The film tells the tale of Count Orlok , a vampire who moves from his castle in the Carpathian Mountains to a German town to circulate little terror and expiry .

Nosferatu (2024) Official Poster

Ellen Hutter (Lily-Rose Depp) bleeding from her eyes and mouth in Nosferatu

Headshot Of Bill Skarsgård In The New York Premiere Of ‘Boy Kills World’

Headshot aOf Lily-Rose Depp

Nosferatu (1922) - Poster

Nosferatu is a 1922 German silent horror film directed by F.W. Murnau, loosely based on Bram Stoker’s Dracula. The film tells the story of Count Orlok, a vampire who moves from his castle in the Carpathian Mountains to a German town to spread terror and death.

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Nosferatu

Nosferatu