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FilmmakerFrancis Ford Coppolais one of the most well-thought-of and applaud American directors of all time - here ’s every movie he made , ranked from spoilt to good . With a calling cross five decades , Coppola has made a number of iconic celluloid . The Italian - American filmmaker is known for his epic , stylistically challenging projects that often went over budget . Francis Ford Coppola is , without a doubt , one of the most meaning filmmakers of the New Hollywood era , also screw as the American New Wave . New Hollywood filmmaker admit the likes of George Lucas , Brian De Palma , Steven Spielberg , Martin Scorsese , and Stanley Kubrick .
Thebest New Hollywood directorsopened up a whole new style of create movies , emerge out of ' 60s counter - culture with such films asEasy Rider , Bonnie & Clyde , The Graduate , The Deer Hunter , andTaxi Driver . However , the earned run average would end with the massive commercial-grade failure of films like Michal Cimino’sHeaven ’s Gate , and Coppola ’s ownOne From The Heart . Since his peak in the 1970s , Francis Ford Coppola ’s films have suffered a steadfast decline in popularity . However , subsequent decennary of his filmography are still full of classic . Even his humbled - budget , experimental films conserve a strong cult following .
23Jack (1996)
The Robin Williams Movie Doesn’t Have A Cohesive Tone
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Jack , released in 1996 , is certainly one of Francis Ford Coppola ’s most baffling moving-picture show . A unknown blend of the 1988 filmBig(starring Tom Hanks ) andThe Curious Case Of Benjamin Button , it enjoin the story of Jack Powell , a boy who ages at four times the pace of normal children . In thisRobin Williams movie , the fecund player recreate a ten - year - old in the body of a 40 - yr - erstwhile , and the result is somewhat unsettling .
The film is a tonic mess that never quite defeat the unfamiliarity of its premiss , although Coppola does attempt to stress the absurdity of it all with pity . to boot , the motion-picture show has a lackluster book that go bad to utilise the genius comedic abilities of the late Robin Williams .
22Dementia 13 (1963)
The Director’s First Feature Film Was Thrown Together In A Haphazardous Way
Dementia 13was Francis Ford Coppola ’s very first feature film . The Roger Corman - produced thriller was written by Coppola and tells the level of a widow who decides to travel to her married man ’s family castle in Ireland so as to promise herself a place in his will . Corman instructed Coppola to make a pull - off ofAlfred Hitchcock ’s sinister - and - blanched moviePsychousing the remnant funds from one of his recent films .
Dementia 13is a low - budget product made over nine days , and , for the most part , it indicate . The kills are completely forgettable , leading to an uneven end . On top of the tale problem , the Coppola movie is riddled with distract optic continuity errors , and the playscript ca n’t seem to decide whether the castle ’s name is " Castle Howard " or " Castle Haloran . "
21Finian’s Rainbow (1968)
Coppola’s Musical Failed To Utilize Its Biggest Strength
One of Coppola ’s lesser - known works , Finian ’s Rainbow , is a 1968 adaptation of a stage melodious . The filmmaker reimagines the classic Hollywood musical for a contemporary consultation , leaning into the socio - political preoccupations of the ' sixty . Finian ’s Rainbowis about an Irishman , played by Fred Astaire , who steals a leprechaun ’s gold and take to bury it in Rainbow Valley , believe it will multiply due to its proximity to Fort Knox . Finian and his girl become embroiled in local politics as the racist Senator Billboard Rawkins attempts to buy up the land where the hoarded wealth is buried .
Finian ’s Rainbowis an uneasy attempt to merge a Broadway musical with political commentary , but it ultimately falls flat . The movie never quite finds its footing , even in its more enjoyable moments . The frame cut off Fred Astaire ’s substructure , weakening one of the most enjoyable parts of the movie — the dance icon .
20Megalopolis (2024)
The Sci-Fi Movie Has Too Many Ideas To Pack Into 2 Hours and 14 Minutes
Almost four decades after originating the idea , Coppola releasedMegalopolis , an unreasonably foresighted movie that does n’t live up to expectations . pose in an alternative version of 21st - one C New York City , call New Rome , the plastic film follow an architect key out Cesar Catilina who tries to reconstruct the urban center after a crisis but faces resistance from Mayor Franklyn Cicero . The sci - fi epos flop horribly at the box office , which was n’t a financial issue sinceFrancis Ford Coppola fundedMegalopolishimself .
Looking at Megalopolis , the deficiency of supervising is abundantly percipient . The story palpate bloated and unedited because of frequent tangents . The movie focuses so hard on world - building that it fails to create likable character . Megalopolishas a pretentious tone that ’s off - putting in such a deeply flawed film . Ultimately , Coppola ’s sci - fi epic poem is dripping in self - lunacy , which makes it painful to catch .
19You’re A Big Boy Now (1966)
This Rom-Com Is A Fun Watch That Doesn’t Move Beyond Genre Conventions
Coppola ’s second feature of speech celluloid , You’re A Big Boy Now , is a drollery that adapts David Benedictus ' 1963 eponymous novel . Relocated from London to New York , the motion-picture show surveil the 19 - year - old Bernard Chanticleer as he tries to emancipate himself from the grip of his overbearing parent . The cinema is an absurdist sex drollery that deals with the romantic entanglement of a young man living in New York .
With its stylish production and solid execution , You’re A Big son Nowis a strong early effort from Coppola . The film angle into quixotic clowning music genre conventions , making it less adventuresome than the director ’s other flick . However , despite its easiness , it ’s still fun to watch , and it ’s a vital time capsule of former fixed storage - coms .
18Gardens Of Stone (1987)
Coppola’s Military Drama Doesn’t Rise To The Level Of Apocolypse Now
Francis Ford Coppola ’s 1987 military drama , Gardens Of Stones , appears as a spiritual follow - up to the director ’s classical Vietnam epic , Apocalypse Now . This adaptation of the Nicholas Proffitt novel of the same name , come after a harden war vet , play by James Caan , who is assigned to " The Old Guard " at Fort Myer , Virginia . This is the U.S. Army ’s Honor Guard and provides ceremonial sentry duty for the funerals of fall soldiers .
The moving picture becomes a grave , heartfelt lament for a meaningless war and the many who lost their lives . unluckily , Gardens Of Stonesis weakened due to the phantasm of its predecessor . The motion-picture show lack the aspiration of Coppola ’s previous warfare flickand might have fared well if discharge further from Coppola ’s magnum opus .
17Twixt (2011)
Coppola’s Surreal Fantasy Borrows Elements From His Previous Films
By far one of Coppola ’s most bizarre , surreal , and experimental full treatment , Twixtwas the keen filmmaker ’s last flick before he acquire a hiatus , wait 13 years to put out his next movie , Megalopolis . The news report follows down - on - his - fate novelist Hall Baltimore ( Val Kilmer ) as he undertake to solve a slaying in a small town where he was doing book signings . What pursue is a narrative divided between realism and fantasy .
While it is probably the Coppola workplace with the least mainstream ingathering , it does contain a number of his theme song stylings , and references to previous works(his own as well as other classics ) and to his own life story ( notably , the tragical demise of his son , Gian - Carlo ) . It is a strange cinematic experience , but one that is also very rewarding for Coppola completionists .
16The Godfather Part III (1990)
The Third Instillation Is Much Less Impactful Than The First Two Godfather Movies
WhileThe Godfather Part IIIis certainly a gradation down from the previous two installments , the film is not without its merits . Coppola never wanted the celluloid to be the third pic in a trilogy , he escort it more as an epilog . In fact , his original title for the celluloid ( and the title consume up by his latest cut of the movie ) wasThe Death of Michael Corleone . Just as Part II linked the Corleone family ’s stage business to the Cuban revolution in the 1950s , The Godfather Part IIIcontinues this tradition by attach Michael ’s plot line to the Papal malicious gossip of the late ' 70s and former ' 80s .
It ’s vindicated that , for Coppola , these celluloid were never just the story of an Italian - American mobster;the filmmaker is much more interested in the point of convergence of numerous themes ( ethics , religion , class ) in the American experience . As such , despite Coppola ’s regrettable decision tocast his daughter Sofia Coppola as Mary , the film does function as an adequate conclusion to the Corleone family tragedy .
Francis Ford Coppola ’s The Godfather trilogy received several Academy Awards , let in Best Picture Best Director , and several act accolade .
15The Rainmaker (1997)
The Rainmaker Fills Viewers With Righteous Indignation
Coppola ’s 1997 adjustment ofThe Rainmakerstands out among the embarrassment of other John Grisham adaptations from the ' 90s . The movie asterisk Matt Damon as Rudy Baylor , a young law shoal alumna who comes up against an insurance companionship in this David vs. Goliath story . Although not necessarily as stylistically or narratively ambitious as other Francis Ford Coppola ’s movies , The Rainmakeremerges as a amazingly effective effectual dramatic event about America ’s go wrong insurance policy infrastructure .
The script ’s humour assist balance out the heavy themes , but it never feels like it ’s making light of the seriousness . The characters are also well-off to connect with , deepen their impingement on the audience . at last , the powerfulness conflict in the pic makesThe Rainmakeremotionally reminiscent .
14The Cotton Club (1984)
Copolla Reunites With His Godfather Team For A Less-Impressive Movie
After the fiscal failure of his past few films , The Cotton Clubsees Coppola reunite with hisGodfatherteam , author Mario Puzo and producer Robert Evans . The picture show marks the theater director ’s takings to stylish gang violence as it recite the tale of Michael " Dixie " Dwyer ( Richard Gere ) , a mob - backed musician who becomes a Hollywood star . Dixie before long discover himself catch in the crossfire of a gang war .
standardized to much of Coppola ’s work in the ' eighty , he is perhaps more concerned in do The Cotton Club ajazz - infused moviethan in developing the intricacies of the patch . Consequently , the tale is lacking . The narrative flaws could also be attribute to the fact that the product company forced him to cut down his movie so that it would focalise on the storylines of clean eccentric rather of dark fiber ( viaDeadline ) . Still , The Cotton Clubstill cope to offer an engrossing look at thirties Harlem , and the director ’s cutting that Coppola released in 2019 fixes many of the effect .
