Les Misérables

Amanda Seyfried , who portray the adult version of Cosette inLes Misérables , explains her biggest regret in the Tom Hopper adaptation . Cosette is the girl of Fantine ( Anne Hathaway ) , the take on daughter of Jean Valjean ( Hugh Jackman ) , the honey interest to Eddie Redmayne ’s Marius , and the very invidia of Éponine ( Samantha Barks).Les Misérableswas decently received at the time of its going , being nominated for eight Academy Awards . It ultimately make headway three , include Best Sound Mixing , Best Makeup & Hairstyling , and Best plunk for Actress for Hathaway .

Speaking withGQ , Seyfried reflected on herLes Misérablesrole and what she regrets from the part . Overall , she love her experience working on the melodic version , praise the costume and the people . The aspect she was less enthusiastic about , however , was the live telling . Theactor did not feel she was " technically ready or able " to sustain the springy singingto the point she " would have care to . " She described this especial process as " infuriating . " Check out the full citation below :

Les Mis was an unbelievable movie . And oh god , I enjoy it . The costume , the people , we were all really glad to be there . But I unfortunately , was not technically ready or capable of the live tattle in the path that I would have wish to be . That procedure was infuriating . I knew what I had to sing , but they ’re toilsome song . And the acting part of it came naturally , it was very indulgent , it was beautiful to be like ' how foreign this feeling that my spirit ’s start at last . ' I was also distressed about my accent , but that was the least of my worries . ' I ’m getting to sing all these things to you and it feel so natural ' but it ’s like ' what ’s the matter with you , Cosette . ' I also have to be very musical . It did n’t the cross the way Eddie [ Redmayne ] was hitting it and the way Samantha Barks is , I mean she ’s miles honorable than all of us , technically . Annie Hathaway , even when she ’s crying and take him at the close , it ’s just like , it was complete . It was perfect . It ’s what made that movie flaming fly . And I was miss . I was miss in a way that I really care I had n’t been , and that ’s a regret I have . And everybody ’s like ' you ’re gaga , ' but I ’m not . I have it off what I would have like to voice like . I would have like to sound like I sound now .

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What This Meant For Les Misérables

The Live Singing Was Highly Publicized

The live singing was one of the most notable parts of theLes Misérablesmovie . While most movie musical register their soundtrack in the level-headed John Wilkes Booth , Hooper and his team directed the actors to perform their outspoken roles live on hardening . While the authenticity of this element would subsequently be the subject of praise , this is a much more challenging task for the actor , some of whom were not Broadway - educate themselves , and thus less experient with live execution .

Fans of Les Miserables who are seeking out another powerful , melodic storey might enjoy some of these other moving picture !

alive playacting is essentially different from screen acting , so it makes sense that Seyfried would have been overwhelm by this cognitive process . She had been in a musical photographic film before , play Sophie inMamma Mia ! , butthat role was a much more formal , recorded cognitive operation thanLes Misérables . Seyfried was not the only soul comprehend as missing the mark in Hooper ’s picture . Though Jackman and Hathaway would get laurels identification , Russell Crowe was often criticized for hisLes Misérablessinging , with detractors noting the extent to which he feel he was yelling or speak .

Amanda Seyfried as Cosette singing in Les Miserable

Our Take On Amanda Seyfried In Les Mis

Seyfried Missed The Mark For Me Too

As a big fan of the original musical , I was avowedly a bit unimpressed by Seyfried ’s performance inLes Misérables . She mentions the emphasis in her recent quotation mark , and her inflection and verbiage were a part of the lustreless operation . In " A Heart Full of Love , " for example , she consistently flunk to clearly close her final consonants , singe what sounds like " A heart full of laa . " Singing on - internet site was a hard and controversial choice for the motion-picture show , and it would be interesting to see how things would look now if Seyfried had the chance to re - do the use .

root : GQ

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Les Miserables