Perfect Blue
Anime directorSatoshi Konfirst burst onto the external scene with the release ofPerfect Bluein 1997 . This dark psychological thriller , which explored the disturbing underside of Japan ’s idol industry , impressed critics and pull in comparisons to the works of Alfred Hitchcock and Dario Argento . Kon followed it withMillennium Actressin 2001 , a touching tribute to the rich legacy of Japanese cinema . Again , critic praised his advanced storytelling and visual mastery . His next two films , Tokyo Godfathers(2003 ) andPaprika(2006 ) , solidify his reputation as one of anime ’s most gifted creators .
Tragically , in 2010 , Satoshi Kon passed aside from pancreatic Crab at the age of 46 . His untimely death was a meaning loss to the gum anime globe , cutting abruptly a career that had already made a lasting global impact . Though he only completed four feature film plastic film , Kon ’s work remains influential for its psychological astuteness , realness - blurring narratives , and bold aesthetic flair . However , time has moved on , and in Japan , Kon ’s legacy hazard fading into obscurity . That ’s a fate two diligence veterans are compulsive to prevent .
Fading Fame at Home, Despite Global Acclaim
Behind the Scenes: A Producer’s Perspective
At this year ’s Niigata International Animation Film Festival , producers Masao Maruyama and Taro Maki — who worked on several of Kon ’s films — helda special talking eventto honour his contributions and discourse the disconnect between Satoshi Kon ’s international acclaim and domestic identification . Maruyama , who collaborate with Kon at Madhouse and who finally establish Studio MAPPA , express worry thatyounger Japanese audience are unfamiliar with the director ’s employment .
“ Is n’t that such a waste ? ” he said , emphasizing the pauperism to keep Kon ’s photographic film in the public center . He recalled the challenge of makingPerfect Bluewith a little , overwork team , but note how Kon thrived in the collaborative environment of animation , a divergence from the lonely world of manga . Maki , who producedMillennium Actress , echo these business , lamenting how Kon ’s films are often buried on cyclosis service and undervalued despite their implication . He described his fear after seeingPerfect Bluefor the first prison term , saying , “ I could n’t believe something like that could be anime . ”
The Global Reach of Kon’s Influence
A Call to Remember—and to Love—Satoshi Kon
Anime scholar Ryusuke Hikawa , who moderated the treatment between the two producers , added thatKon ’s influence is deeply felt overseas . Directors like Darren Aronofsky , who paid homage toPerfect BlueinBlack Swan , and Christopher Nolan , whose layered narratives mirror Kon ’s phantasmagorical storytelling , especially inInception , are outspoken protagonist . “ In Europe , you ca n’t be a serious scholar of Nipponese brio without die through Kon , ” Hikawa note . Sadly , Japan has yet to embrace him with the same veneration .
Satoshi Kon was capable to add his own vision to each labor , becoming well known for his experimental , yet emotional approaching .
Still , the cacoethes of Kon ’s colleague stay strong . “ It would make me glad if his film were loved forever , ” Maruyama said . For those who bang his maven , and those still discovering it , Satoshi Kon ’s film remain a rare gift to movie house .
Source : IGN Japan
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