Point Break
Bromance is usually restrict to comedies likeSuperbadandI Love You , Man , but Kathryn Bigelow brought a bromantic plot to the action writing style with her 1991 collision , Point Break . In the film , Keanu Reeves play an FBI agent who embeds himself undercover with a group of surfers and Adrenalin junkie he suspects are also camber robber . Reeves quickly falls under the careen of the group ’s charasmatic leader , play by Patrick Swayze .
While the moving picture ’s boring 2015 remake had been score out from audiences ’ minds before the remainder credit roll , the 1991 original remains a dateless action classic , thanks to these undeniable chemistry and tension between the two lead lineament , the implausible but entertaining premise , and many other factors that still hold up .
Keanu Reeves & Patrick Swayze’s Chemistry
The unique selling point ofPoint Breakis the core relationship between the two main character . hugger-mugger FBI agent Johnny Utah becomes such airless friends with camber robber Bodhi that he ca n’t work himself to sour him over to the feds .
This premise would n’t work virtually as well if the two lead player did n’t deal the galvanising on - screen chemistry that the perfectly paired Keanu Reeves and Patrick Swayze did .
The Delightfully Absurd Premise
On paper , the premiss ofPoint Breaksounds cockeyed : An ex - football virtuoso gets a business at the FBI where he ’s institutionalise to implant himself in a group of surfer who also rob bank on the side .
Yet all the best action movies start with a delightfully absurd premise . pop off Hardis about terrorists attacking an office Christmas party . Face / Offis about a hero and villain switching faces . Speed , also starring Keanu Reeves , is about a bus that ’s rigged to boast up if it slows down . Point Break ’s absurd premiss makes it alone movie .
Kathryn Bigelow’s Kinetic Direction
Kathryn Bigelow was an interesting option to directPoint Break . Now that she ’s chiefly known forOscar - winning true - to - life thrillers likeThe Hurt LockerandZero Dark Thirty , this wacky chum military action picture stands out as an oddity in her filmography .
But Bigelow ’s kinetic counselling broughtPoint Break ’s action at law to spirit . For illustration , her use of handheld camera and tracking blastoff for the moving-picture show ’s foot following put the audience in the fiber ’ shoes ( so to speak ) .
Character-Driven Storytelling
natural action film maker often do n’t bother to add up up with unique characters or an piquant secret plan because audiences will show up to see gunfight , car chase , and explosion . But the action wo n’t connect with audiences as much if they do n’t care about the character .
InPoint Break , there are plenty of exciting fight scenes and chase succession , but the storytelling is driven by the two lead character ’ dynamic . All the activity stem from Utah ’s troubled friendship with Bodhi .
The Varied Soundtrack
WhilePoint Breakhas an original score frame by Mark Isham , the picture show ’s heavy use of music is its licensing of subsist collision . There ’s a spacious miscellanea of pop song in thePoint Breaksoundtrack .
The movie makes effective usage of such disparate yet memorable tracks as The Jimi Hendrix Experience ’s “ If 6 Was 9 , ” L.A. Guns ’ “ Over the Edge , ” Ratt ’s “ Nobody Rides for Free , ” Ice - T ’s “ Original Gangster , ” Love ’s “ 7 and 7 Is , ” and Sheryl Crow ’s “ Hundreds of Tears . ”
Gary Busey’s Offbeat Turn As Angelo Pappas
Gary Busey ’s offbeat twist as Utah ’s eccentric partner Angelo Pappas inPoint Breakis the quintessential Gary Busey performance . In all of his setting , Busey is totally unpredictable .
Most action mechanism picture show have generic law enforcement archetypes , but Busey ’s crazy performance ensures that Utah ’s fellow crimefighter is far from a generic law enforcement stereotype . Angelo has some rightfully bonkers bloodline of dialogue , including an unforgettable one about a utter rhino .
The Thrill Of The Skydiving Sequence
There are a short ton of tickle pink gear up piece inPoint Break , from the botched FBI foray to the metrical unit chase through some unsuspecting the great unwashed ’s household .
But arguably the flick ’s most breathtaking action scene is the skydive chronological sequence in which Utah and Bodhi play “ chicken ” with their parachutes . According toLooper , while Reeves permit his stunt two-fold to take over , Swayze himself jumped out of a plane for the view .
It Doesn’t Take Itself Too Seriously
There ’s plenty of way at multiplexes for sentiment - provoking Oscar - bait dramas , but audiences often go to the movies to have a good fourth dimension with some fun , escapist entertainment that permit them to switch off their mental capacity for a span of time of day .
That ’s where genre movies likePoint Breakthat do n’t take themselves too badly come in ready to hand . In addition toinspiring the assumption ofThe Fast Saga , the unashamedly zanyPoint Breakalso instigate its self - wipe off tint .
Bodhi’s Philosophies
Patrick Swayze was dead stray as Bodhi because he ’s charismatic enough to convince audiences that an FBI agent would be so capture by him that he ’d wrench his back on the law , and because he brightly sell Bodhi ’s zen philosophy .
Bodhi is a very spiritual role who lives both on the edge and in the moment , which audiences can look up to . Bodhi ’s “ endure tight , break down untried ” modus vivendi can still connect with today ’s youth .
The Melancholic Ending
While the climax ofPoint Breakis set up as a big , action - packed FBI raid , the epilogue actually turns out surprisingly somber and intellectual . Utah tracks down and confronts Bodhi , but ultimately decides to let him go as the surfboarder is determined to twit a legendary undulation that will believably claim his life .
There ’s a melancholic quality to Bodhi accepting his fortune and channel-surf out into the legendary “ 50 - Year Storm ” to break down . Utah toss his FBI badge into the sea is a cliché , but it works beautifully with the way-out tone of this movie .
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