Rio Lobo
Summary
Rio Lobomarked the end of an unofficial John Wayne trilogy , and has come to be regard as one of his most underratedWesterns . John Wayne fronted 80 Westernsthroughout his long vocation and starred in them right up until his terminal film , The Shootist . The 1970s was a grim time for the musical genre because outside of Wayne or Clint Eastwood , the popularity of the Western was on a downward trajectoryin term of loge part . Many of Wayne ’s net efforts in the genre were n’t up to the quality of his early employment either .
The likes ofCahill U.S. MarshalandWayne ’s only sequelRooster Cogburnwere gimpy efforts , thoughThe Shootistwas a nifty note to close down his career on . Franchises might dominate studio filmmaking now but for the stars of Hollywood ’s " Golden Age , " sequels used to be an offensive term . This may explicate why Wayne only has one echt sequel to his name , thoughthe unofficialRio Bravotrilogysaw the wiz and director Howard Hawks riff on the same basic narrative and characters three times .
The best Western movies of all time grasp from the likes of High Noon in the fifties to The Revenant in the 2010s , but each one is timeless .
What John Wayne’s Rio Lobo Is About
This 1970 Western Is Essentially Rio Bravo 3
TheRio BravoTrilogy
Release Year
Rio Bravo
Custom image by Milica Djordjevic
1959
El Dorado
1966
Rio Bravo is a Western film directed by Howard Hawks and starring John Wayne and Dean Martin. The 1959 release sees Wayne playing a local sheriff that must hold a local criminal in jail until a U.S. Marshall can arrive to pick him up.
1970
According to Roger Ebert ’s revue ofRio Lobo(viaRogerEbert.com ) , when Hawks offer to place his leading man the movie ’s screenplay , Wayne quipped " Why rile ? I ’ve already made the motion-picture show double . " That might be a tongue - in - boldness comment , but it ’s not inaccurate either . Rio Lobocast Wayne as a Union cavalry officer named McNally who chases down the traitors who aided Confederates with a geartrain looting . This trail leads to the nominal wide-open town , where McNally and his ally ( including Jack Elam ’s Phillips ) act out justice .
In term of plotting , Rio Lobois doing nothing fresh or innovative . The film is a greatest collision software program for both Wayne and Hawks , though the moving picture does make concessions for its leading man ’s age . He no longer romances the distaff lead , and the more physical activeness is left to his younger co - star , Jorge Rivero . Still , he ’s very muchthestar , with McNally driving the story as he chases the traitors and forms up a ragtag team of allies around him - not unlike how thing work inRio Bravo .
Rio Bravo is a Western film directed by Howard Hawks and starring John Wayne and Dean Martin. The 1959 release sees Wayne playing a local sheriff that must hold a local criminal in jail until a U.S. Marshall can arrive to pick him up.
Sherry Lansing , who fiddle Amelita inRio Lobo , became the first woman to head a major studio after becoming the president of 20th Century - Fox Productions in 1980 .
How Rio Lobo Ended A John Wayne Western Trilogy
Rio Lobo Was The End Of An Era In Several Ways
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Cast
Rio Bravo is a westerly photographic film manoeuver by Howard Hawks and star John Wayne and Dean Martin . The 1959 expiration meet Wayne playing a local sheriff that must hold a local criminal in jail until a U.S. Marshall can go far to pluck him up .
Somebody who is n’t a fan of this especial John Wayne Western is Quentin Tarantino . In fact , Tarantino cited moving picture likeRio Loboas the rationality he need to hit the hay , state it ’s a prime example of a great theatre director rest on the job too longand suffer his cutaneous senses . He ’s not totally haywire , with the picture being one of Hawks ' infirm film and lacking any real sensory faculty of importunity . Still , that ’s the reasonableness some musical genre devotees are drawn toRio Lobothese days ; just likeRio BravoandEl Dorado , it ’s a playfulness hangout picture show .
John Carpenter ’s favorite film isRio Bravoand fundamentally remade it with 1976’sAssault on Precinct 13 ; he used the anonym " John T. Chance " for his editing work on the film .
The 1970 adventure has the gunplay and horse Salmon Portland Chase expected , but much of it revolves around Wayne getting to know his new booster . TheRio Bravotrilogy honed in on the same theme and characters ; McNally is essentially the same cat asRio Bravo’sJohn T. Chance orEl Dorado’sCole Thornton , while the moving-picture show once again see his character mentoring a cocky younger gunfighter . Elam slip the show as Phillips , who is very much in the vena of Walter Brennan ’s Stumpy .
TheRio Bravotrilogy is really a series of remake , with each offering subtle remixes of the same element .
All three feature of speech a siege on a jailhouse and tight with Wayne ’s gang having a gunfight with the malign rich villain and their henchmen . TheRio Bravotrilogy is really a series of remakes , with each offer insidious remixes of the same ingredients . Sadly , Rio Lobomarked the end of Hawks ' directing calling , with the celluloid grossing less than its $ 6 million budget at the box office .
Quentin Tarantino intends to retreat from filmmaking following his tenth movie , and here ’s the bad John Wayne Western that convinced him to stop .
Why Rio Lobo Is One Of John Wayne’s Most Underrated Westerns
Rio Lobo Lets Wayne Do His Thing
Rio Lobo’sreputation is n’t so live . WhereasRio Bravois dubbed a classic whileEl Doradois the tricky , faster - pace remaking , the consensus around Hawks ' final offering is that it ’s a leaden slog . Wayne was considered too former for the lead , while Jorge Rivero is a step down from co - stars like Dean Martin and Robert Mitchum in term of personal magnetism . All of these critique are fair , but in the film ’s defence force , it ’s still a fun ride with the right mindset .
The film is too laidback for its own good , butthose who get on board withRio Lobo’sdeliberate pacing are go to enjoy themselves . Like its predecessors , it ’s best viewed as a hangout Western , where it ’s about the vibe and characters just as much as the shootouts . As Ebert orient out in his positive review , it also marked the first , honest-to-god - fashioned Wayne Western in some clock time , take after more insurgent offering likeTrue Grit . Rio Lobocertainly is n’t the good example of the star ’s work , but then it never really place out to be .
Rio Lobo(1970 ) Key Facts Breakdown
Rotten Tomatoes Critics Score
70 %
Rotten Tomatoes Audience Score
generator : RogerEbert.com
