Presence
take by Steven Soderbergh , Presenceis an data-based thriller filmed from the first - person linear perspective of a ghost . The celluloid was praise upon its premiere at Sundance for its major technical achievement , as the camerawork plays a polar role in David Koepp ’s ocular storytelling . WithPresencenow toy in theaters , the movie is notably dividing hearing . Despite its challenge , however , the supernatural component bring a unique and groundbreaking quality to the musical style . As the concealed entity takes charge , thecast ofPresencebecomes an implausibly important aspect of the credibleness of the story .
The camera becomes a quality itself , and the most important one in the tale , at that . Presenceuses a far more chronicle - beat back frameworkand focus on the development of an intricate and comprehensive plot over using any cheesy , jounce - value tactics . This is important forthe resolve moments ofPresenceto deliver the goods , as the ghost ’s identity is revealed . The final revelation is more rewarding because of the hints given to the audience throughout the pic . With that in nous , the abrupt cuts to black between scenes are an important indicant of one particular feature film inPresence .
The Cuts To Black Between Shots Were To Indicate How Much Time Has Passed In Presence
The Cuts To Black In Presence Make For An Even More Interesting Second Viewing
Not only isPresenceseen from the first - individual perspective , but the photographic camera regularly cuts to black between shots . While these initially appear cooccurring , it step by step becomes clean that the calculated proficiency is importantly influential . speak withIndieWire , Soderbergh reveals that the baseball swing to black are indicative of how much time has passedbetween view . ThroughoutPresence’sonehour and 25 - min runtime , " sometimes they ’re [ trim to shameful ] very short , which point it ’s almost a start cut , which means , ' oh , it ’s been 20 minutes . ' And then sometimes they ’re longer , and you realize , ' oh , days of calendar week have gone by ' . "
This proficiency utilise by Soderbergh narrate a story and means the director can mess about on sure shots before cutting to total darkness . This result is certain imagery remaining in the audience ’s minds , which ultimately helps to develop the narrative . study there is one shot per picture with no editing , plainly fading to black between scenes would have been too disconcerting as there had to be regular intervals between the upshot that transpire . Although this is something that might not be beak up on a first - time screening , Soderbergh believe that this cock is " really important in orientate you in the narration . "
How Presence’s Cuts To Black Added To The Movie’s Tone
Presence’s Simple Editing Elevates The Film
Presenceworks much better as a thriller than a repugnance , and Soderbergh ’s camerawork is cardinal in give to the movie ’s tone . Happening from the perspective of the ghost signify there is no demand for scares , as it ’s more important to understand how the ghost voyage confusion , and how it follow to terms with its own function . Presenceis a depressed - budget product , and the cuts to disgraceful are a dewy-eyed and effective toolfor voyage the narrative . The creator shot in chronological succession , which meant that there was very picayune editing involved in the process , which helped with a entire immersion from a young view .
It is also important to note thatPresencewas shot using rather canonic and inexpensive equipment — namely the Sony A7 . Soderbergh ’s transitions between shots had to be kept simple to ordinate with the equipment used , but mostly to preserve the desired visual style . It meant thatPresencecould offer an incredibly rich narrative that was a " learning process " for the director , too . The endeavor was certainly worthwhile , asPresencesuccessfully pose itself apart from many other films in the genre quite substantially , thanks to the edit out - edge narrative and intriguing camerawork that forget a survive opinion on audiences .
Source : IndieWire
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